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In Ken Johnson's now infamous review of Grabner's Cohan exhibition - inspiring dozens of site's posts to just contextualize and organize the increasing spiral of commentary and LttE and responses and blog posts that themselves further contextualized and organized, excerpted in full and commented with ever lengthening comment sections growing atop still warm bodies until you had this like eco-production-system of sites that spiral out, far as you would like to go, into cold and nervous chattering all based around the whale fall of one small dead review and which now us too still sucking off the carcass - was, as is often the case with negative reviews, spot on in everything but valuation, Grabner's work might be "comfortable" "middle class" work from a "tenured" "soccer mom" that allude to nothing more than the "bland" "unexamined sociological background" from which they spring, that's exactly why they're so good.
