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Their shock of ugliness - vogue brandished as grotesque - is spectacular, feels cybernetic, jagged objects reaching (without painting's frame to hold them tastefully) they instead enter you as signs to implant within and deplete themselves with immediacy, their shock is one use only, and, spent, you feel used, having been inside you deployed themselves and left, the "bad" in 5 years will appear tasteful, mannered compositions of their time, totally respectable, but you'll remember.
See too: Aaron Curry at Michael Werner, Charline von Heyl at Gisela Capitain