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What if we said something like, collage becomes important as the collisions of the world's disparate systems become increasing violent, and the Surrealists and Frankfurters were wrong that irrational juxtapostion wouldn't spark any mass as the world world became the biggest surrealist juxtaposition of all, and that collage in the larger sense - the sense that Hawkins has practiced since the beginning - was meant instead to make "alternative forms of touch" as soft touchdowns, as a sort of pathos? The decrepit sexual patina grown over Hawkins work wasn't always so. There were once clean young men paper-clipped to fields of bright fabric, and anyone was yet to be beheaded.
