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Ceccaldi repeating the wearables. In the original exhibition their lightness and precarity made even the survey of their fragililty feel impure. We dirtying their weight with our unclean sight, merchandise to decor the human like a Christmas tree. Projecting the missing bodies these were meant to adorn. Now the slightly more ruined adornments bear what is implicit prior: their decrepitness in sight, commodities decorating what should be free.
See too: Nicolas Ceccaldi at Mathew, Anna Uddenberg and Nicolas Ceccaldi at MEGA Foundation
