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There are emotional stakes. Sluggish works burdened by difficult existence, the 1000 years of an Imperial Cathedral bears the same weight as a Cheeseburger, all strewn the same next to a deflating globe. Construction, for Pernice, is made like a complaint, the decisions feel heavy and won. Manfred Pernice at Regen Projects had trouble getting erect, the depressive often does, but at this new gallery gets it up with a troubled aloofness: stacking premises the possibility for it but it doesn't feel like real monumentality but faking it for the onlookers, stacking like the pained smile as response.
See too: Manfred Pernice at Regen Projects, Group Show at Bortolami and Galerie Neu at Gladstone Gallery
