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By staging the objects as theatrical their vacancy becomes strength, hollowness holding a surface for eyes to move and containing whatever importance the narrative can attribute it, like a beautifully feathered bird you are required to know nothing about, or a Tahitian landscape unencumbered by syphilitic artists, or a tie-dyed Heimo Zobernig. Like Sci-fi as excuse to CGI a lot of shiny things, theater to reimagine some neo-Memphis-group for Petra von Kant.
See too: “The Violet Crab” at DRAF, Than Hussein Clark at Futura
