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Institutional critique, was, at its base, a reflexive gesture, navel gazing en abyme, setting up a giant system of mirrors of various funhouse effects within the institution, but if we've learned nothing its that silvered surfaces sell really well. We desire nothing more than to see ourselves. And seeing everyone else is like ourselves in a strange mirror. And seeing other art patrons is like seeing ourselves in relation to ourselves, seeing a grand and baroque vaulting network of ourselves in a hierarchy of ourselves. And seeing a Jeff Koons painting is like seeing ourselves replaced with Barbie plastic. We see ourselves in so many ways. It's all we really want.
See too: Peter Piller at Capitain Petzel , “Seven Reeds” at Overduin & Co.
