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You could believe these feathers of various metals and materials are strange turn for Clausen, coming from cold micro-interaction of detachment's emotional resonance, of interface a replacement for interfacing, but its is the same form of emotional micro-attention, of feathers beginning to look like birds with brand strategies. Maybe it's hard to tell the difference between fetish and sentiment, or between a fetishistic attention to detail and tenderness, fastidious and compulsion.
