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Rubbermaid's BRUTE® UTILITY containers are pervasive. And the containers at first seem, ominously, to lack any qualities whatsoever, but Lupo, different from Bill Bollinger's formalized mass materials, draws out the latent, systematically mocking its soft qualities, the infantilizing soft curvature, the flesh of it. Objects humans draw for ourselves are getting bodily, begin to resemble ourselves, as erotics and curvature seep into everything, and these look not much different from baby toys, from chew toys.