(Mu.Zee, S.M.A.K.)
Dujourie, like a less sarcastic Zobernig. If minimalism's primary structures were so reduced to their axiom as to become iconic, Dujourie's polishes outs an object unspecific, un-iconic, hard to hang language on something so rounded, making for strange viewing experience of objects so general they become difficult to articulate, defintion fleets quickly away, conceptually formless but having the look of art objects.
See too : Group Show at Salle Principale, “The Crack-Up” at Room East