Monday, September 21, 2015

Keiichi Tanaami at Nanzuka

Keiichi Tanaami at Nanzuka
(link)

Carved specificity gives them the monumental quality of signs, of icons without referent, a sort of totemic obscurity, less culturally reflexive than Pop art, and all the more hallucinatory for it.

See too, “Puddle, pothole, portal” at Sculpture Center ,