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It's becoming a problem that our daily consumption of media is predicated on exhibitions depicted in blankness, which as CAD becomes a more powerful form of reproduction and knowledge that, as Sanchez might be right in proclaiming, visibility replaces and trumps thought legitimization, we need be aware that this "visibility" isn't actually all that transparent, since most of this exhibition cannot be seen, this documentation barely exhibits, that the infinite visibility of inter-webbed artscenes has an acute case of glaucoma for those on the sidelines witnessing its transactions while precluding it from critique. And why should we be given that right anway? Is CAD mere Curriculum Vitae promotion. Issues of interest for Jay Chung and Q Takeki Maeda, artists for whom the excising of all but a few remnants generated a enormous look of power.