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The various endpoints, finish, for Lynch's painting, even divergent states among objects within a single painting, makes an elusive game of what Lynch saw. A question of why at this point did Lynch stop, what was seen. As always the subject rendered in the decisions of representation.
Certain tendencies emerge, the landscape trees a frisson of circular blossoms effervescing, plates hover above surfaces missing and front lips dissolving as the though the rear were more solidly there, and brushstrokes with a tendency not to touch, distinct and fragmentary, the paintings continuously coalescing rather than any rigid stasis, like particles exploded on their mean free path to collision and the cups ready to slip from their plates.