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Nostalgia is powerful. Invoking a sentimentality for the past to manipulate present mood. Self-awareness of transience, ephemeral, and pre-accepted as coping mechanism, substituting the present as the past behind pink glass. It grows more and more to be tool of marketing, using feelings for what once was to purchase its salve in the present. Replacing the moribund today with a hind-sighted "golden-age." Pre-yellowed to remove the jagged sharpness of the new. Nostalgia is a terrifying hole, hard to discern from a trap, and this show is like full of it.
See too: Moyra Davey at Institute of Contemporary Art, Daniel Dewar and Grégory Gicquel at Micheline Szwajcer, Group Show at Neue Alte Brücke