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Whitney toys with arbitrariness. Caroming off the totally indiscrimant to float in some nether zone of baroque frivolousness that feels odd. Opposing Gunther Forg's true flippancy, Whitney's seem instead pre-programmed to maintain a flat-footed aloofness, an askewness that seems herr to much of continually strafing and blunt painters of today, Joe Bradley, Josh Smith, etc. a willful deafness.