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Perhaps since Genzken's blowout Venice Pavilion, exhibitions have come to look, become acceptable to look, like fashion proposals for department store windows, exhibitions as trendbooks predicting the future of displays eventually culturally dispersed to haybail-nightclub aesthetic in the windows of H+M, Urban Outfitters, et al. I don't speak french but the accompanying text probably mentions Broodthaers at least several dozen times, a refrain to critically pass as embodying the system its meant to critique by posing it the international style of art to self-eviscerate, but instead just looks really super great and I want to buy something.
David Lieske at MUMOK, Zak Kitnick at CLEARING
