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The hieroglyphs of contemporary art products, are in effect an attempt at estrangement from the commodities that comprise them. Like Prince or Levine the doubling effects a remove, and now the genericism of product photography replaces it in anonymous otherness, printed steely to metal, meant to evoke the distance from the world felt. Cold, numb anhedonia to the pleasure afforded, nature's bounty and the newest product manufactured for connoisseurship's symbolic violence, sad, and the fact that Kitnick continues to pump these very heavy weights out again and again and again attaching an intention-dumb press release indifference to it not even, like, trying anymore is part of the emotive plea, Kitnick seems like real tired from bearing so much ennui.
Merlin Carpenter at MD72, Zak Kitnick at Rowhouse, Sophie Nys at Crac Alsace, Merlin Carpenter at Overduin and Co.
