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The eponymous "relief" of the exhibition comes from the work's insipid blankness as "fundamentally soothing to nervous system" - as David Foster Wallace once reasoned his recurrent reading of a particular column of Cosmo magazine - a subscription to the infantilizing soothe of a overloaded system proffered paralysis, a shutdown, the catatonic aphasia of Reality TV, celebrity tabloids, and now paintings, in which the real is replaced with its dummy version, relief from problems by a warm and swollen balloon replacement, the real replaced with a sex with an inflatable on Ambien, fundamentally soothing, just like these painting.