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The brilliance of Okomura’s Wiel’s Residency’s factory outsourced with children’s content beautiful in its ephemeral ease and imaging of pre-knowledge renditions of what was inside, loaded with imagastic metaphor in a baroque and dumb carnival, totally fun, now reaches the other romantic extreme of its emptiness in the trademark color “Cerebral Greyness” of 70’s conceptualism in waiting for Godot desolation, and a slightly off tone of the usual neutral language of its wall didactic.