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Whereas for Kantarovsky style rests on the surface, forefronted and delivered, for Brodmann style is suspended in the dispersed particles of its past participants, in the soup of its references, closing in on the liquify setting of its blender. Brodmann’s an “artist to watch,” dissolve of the darker edges of his earlier characters into its broth of tasteful painting, put less and less at risk with each show, exchanging the teenage characters for the pastel hues of adult refinement, and these are more refined but lose the uncomfortable sweat of its awkward adolescence heading off to market.
See too : Vittorio Brodmann at Gregor Staiger , Sanya Kantarovsky at Marc Foxx