Trevor Shimizu at Rowhouse Project

(link)

Different than Josh Smith for whom production proves the product, Shimzu’s premised on paintings readymade product, that so long as it is painted, so long as it is painting, it is already done. Enjoying Shimzu’s poor materials because something is there, depicted, and that is enough, way more than most.

See too : Ann Craven at Comfort Moderne , Albert Oehlen at Skarstedt