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"Contentless” in that it acts as directives for the flows that can brought to it. Looking at a Humphries, like looking at Levine, occurs “in front of the surface of the print;” appropriated markers dispersing visual contact suspended by the information which precedes it, all the informational baggage flaunted by it’s visual void that the mind so adapted to monochromatic thought readily fills in. Its impossible to even see these without thinking about the system that distributes them, the Benedictian monks and organization of chapels all over the world.
See too : Group Show at Greene Naftali , Sherrie Levine at Simon Lee , Seven Reeds at Overduin and Co.
