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Douard’s big year has sown spaces to be filled, a chain reaction burning interest fueling the expansionism of visibility, a speed of production in which interest generates on the premise that even if not all of it is at least some of it will be, the trade shows of nomadic artists that Duoards asserts the bodily in the trash accumulated, acknowledging the filth of things ready made, the body in the product, in the package, in the excrement of practice, Duoard both reacting to and participating in the cold industry of the system; filthy, disgusting, sporadically humane.
See too. Mathis Altmann at Freedman Fitzpatrick , Michael E. Smith at Susanne Hilberry , Simon Denny at Portikus , Cathy Wilkes at Tramway , Ben Schumacher at Musee d’art contemporain de Lyon
