After the brouhaha over the Whitney’s protest adieus, and questions of motives and publicity, arguing for and against, and the unfortunately off scheduling of HOWDOYOUSAYAMINAFRICAN’s work, highly dependent on one's ability to return to the Whitney again and again, against noise and signals of cultural commentators returning each others pings in competing domains of airtime, opinion, hearts and mind, though delivering some
fine examples of art criticism over said work and protests etc. etc. and so to finally cut the volume, turn off the lights and play the
video is like most refreshing of all.
