Okiishi’s interest in “internet-networks” should come preloaded with the knowledge that relevancy in the instant availability of the digital panopticon red water requires constant change, adapt or be obsolete, things lose whatever luster they had quick, and though not every exhibition is required to be a hit, everyone is immediately aware of a bunt. And we’re seeing vapid television programming again.
See also: Nick Mauss and Ken Okiishi at Mendes Wood DM
