The real fine crowd seems all really want to impress on us their disgust with networks/working and the conglomerate of social sludge. Its neurotic. Beg the rabbit for forgiveness as you slaughter it; or so the press release would have it. Its like you apologize for showing at Real Fine Arts. Apologize for a room full of artworks, self ironize. Like the schrimps that magically ward off marketability, or meaning to marketability. oops. I mean if Kassay taught us anything its collectors like shiny-metal covered canvases. Silver your werewolf desires.
I mean I like the photographs, the banal disjunction, the alienation of experience in late capital. The schizo-world of scream masks and idols of imaged women, etc. I could write the press. The whole recycling thing of Kelley Walker in the united colors, and the video reminiscent of the context comedy of Zobernig’s filming of the comings and goings of Texte Zur Kunst. I can’t really read the message in the pee, but I think its asking the same question as the wall.